Cancellation of 2021 open submissions period

This is a very difficult post for me to write, but I have decided to cancel uHlanga's 2021 open submissions period, which was planned for February. As this will undoubtedly cause frustration and disappointment, I have decided to be open about the reasons for making this decision, especially as I am aware that some poets are already planning to send in work.

If you are upset by this decision, I can only apologise – but I would ask you please to read the rest of this letter.

When I started uHlanga in 2014, I had no idea that it would be a successful publisher of poetry. Part of uHlanga's success has been the open submissions periods, which I try to schedule every two years, both as a service to South Africa's poets and because some of our best books have come from these open submissions. For just one example, Saaleha Idrees Bamjee's 2020 Ingrid Jonker Prize-winning book, Zikr, came from our 2017 reading period. As such, I was looking forward to reading new work from new and established poets, but the reading period simply cannot go ahead this year.

There are two main reasons for this. We are all aware of the context of the first: in addition to other unexpected things that happened to uHlanga in 2020, the ongoing Covid-19 pandemic has more or less halved our sales income. This means we cannot publish as many books as we would like to. We can only afford – and just barely – to publish the books we already have planned. Of course, I could open submissions and reject every manuscript without reading them, but – having been on the receiving end of such practices by (surprisingly large) publishing houses myself – I know how callous and unfair this would be, and possibly fatal to the hopes of promising new writers.

The second reason is personal. With the notable exceptions of a distribution and sales contractor, as well as help from two excellent interns a few years ago, I have run uHlanga almost entirely by myself. That also means that, come submissions time, I – or, in the minority of cases, someone I trust very much – must read every single of the 200-plus manuscripts sent in to uHlanga. Previously I have relished this challenge – I find it illuminating and often inspiring, even if only one per cent of all submitted manuscripts end up published.

But over the past year, my health has been significantly worse than what it needs to be. In order to recover, and to keep uHlanga running for any amount of time beyond this year, I must relieve myself of some weight. uHlanga – as many poetry presses around the world are – is a part-time project for me. It makes me no money, and sometimes I'm not sure if it brings me much else other than the satisfaction of producing books that make their writers and readers happy, and that, in addition to their artistic and literary merit, embody to different degrees a shared politics of visibility, expression, collaboration, historical redress, love, and justice.

So, however disappointing this news may be, rest assured that I am probably just as disappointed. I am very sorry to have announced a reading period only now to cancel it, especially in the midst of a terribly dispiriting time in South Africa and most of the rest of the world. I hope to have another reading period as soon as I can handle it. Other presses will have open reading periods this year, and I wish you the best of luck in placing your work with them.

Until then, keep safe,

Nick Mulgrew
Director, uHlanga

Musawenkosi Khanyile wins the 2020 SALA for Poetry in English

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Congratulations to Musawenkosi Khanyile, whose debut collection All the Places has won the South African Literary Award for Poetry in English. This rounds off an already successful year for Musa – the book was also a finalist for this year’s Ingrid Jonker Prize.

Congratulations, too, to Marlise Joubert, who won the Afrikaans SALA for Poetry, for her collection Grondwater.

On Musa’s behalf, we would like to thank the administrators and judges of the SALAs for recognising Musa’s immense talent.

Announcing Jesus Thesis and Other Critical Fabulations by Kopano Maroga

uHlanga are thrilled to announce the release of Kopano Karoga’s first collection, Jesus Thesis and Other Critical Fabulations.

In a provocative yet unexpectedly tender debut, Kopano Maroga immerses themself in Christian myth and mystery, emerging reborn.

In a riotous, innovative and unapologetic display of self-exposure, self-examination and self-love, Maroga appropriates and creates a (sometimes literal) collage of religious imagery, sexual want, and embodiedness – eventually widening their gaze to encompass the realities faced by black, queer, femme and trans folk in South Africa and further afield.

Indeed, these are poems of pain, loss, introspection, and regret; but they are also works of great and usual beauty, depth, desire, and ambition – in sum, the evidence of a powerful new voice in South African poetry.

Kopano Maroga was born in Benoni in 1994. They are a performance artist, writer, cultural worker and co-founding director of the socio-cultural arts organization any body zine. Currently they are working as a curator and dramaturg at Kunstencentrum Vooruit in Ghent, Belgium. They very much believe in the power of love as a weapon of mass construction.

We’re also happy to announce that the proceeds from the first print run of this book will be donated to GALA Queer Archive in Johannesburg.

Please note that this title contains depictions of nudity and sex acts.

The book will be available and available to order from mid-November from bookstores in South Africa, Namibia and Botswana, and soon from the African Books Collective.

uHlanga and Koleka Putuma part ways

It is with sadness that uHlanga announces that it will no longer be publishing books by Koleka Putuma. This includes 2017’s bestseller, Collective Amnesia, and her unreleased second book, which we were planning to release in 2021.

This is a decision made by mutual consent and without animosity. uHlanga was informed this past week that Putuma has decided to pursue the sole ownership of all of her intellectual property under her new media company, Manyano Media (Pty) Ltd. As part of this process, uHlanga has sold and transferred all rights for the seven translations it has brokered for Collective Amnesia to Manyano Media, and has reverted rights for both books in English back to the author.

As of today Collective Amnesia is also no longer available in the uHlanga edition (ISBNs 978-0-620-73508-7 and 978-0-620-89364-0), which has sold over 5500 copies since 2017. Some books that are already stocked by stores may still be available for purchase, but in general the edition will no longer be sold through bookshops, nor distributed by Protea Distribution in Southern Africa or the African Books Collective in other territories, effective immediately. Manyano Media will be producing and distributing its own edition, and they will notify the industry of the details of the new edition.

uHlanga wishes Koleka all the best in her new endeavours. All queries relating to her books may now be directed to Manyano Media at manyanomedia@gmail.com.

Musawenkosi Khanyile shortlisted for 2020 South African Literary Awards

We’re very pleased to hear the news that Musawenkosi Khanyile’s debut collection All the Places has been shortlisted for the 2020 South African Literary Award for Poetry.

This continues a successful year for Musa, who was also a finalist for the 2020 Ingrid Jonker Prize, which was eventually won by uHlanga’s own Saaleha Idrees Bamjee.

Congratulations to Musa, and to the other shortlisted writers, Sally-Ann Murray, Marlise Joubert, and Loftus Marais. The full shortlist for all of the awards is available here.

The winners will be announced later this month.